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The Killers Tickets

Alternative-rock band The Killers knock them dead with singles like "Mr. Brightside," “Somebody Told Me,” and "When You Were Young"! Don't miss your chance to see Brandon Flowers and the rest of The Killers perform LIVE! Buy The Killers tickets now!
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BEST NIGHT EVER!!
By RICAROG from COVINA CA on 9/18/2009
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Lighting, Great Opening Acts, Great Sound
Best For:
Everyone

I am a huge KILLERS fan and have been wanting to see them live for five years! My best friend bought us tickets and I had been looking forward to the Sept 16 Hollywood Bowl show for two months. It was everything I imagined and more! Two days later, still on a natural high and quite honestly, a bit depressed that it's over. They are as awesome LIVE as on the speakers of my car! I will have to go see them again next time they're in town. Only next time I hope to take my three sons who are also fans. I see now that it was a family friendly event.

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Totally Worth it.
By Gr8fuLee1 from Green Cove Springs, FL on 9/7/2009
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Lighting
Best For:
Everyone

Saw the show in ATL. I went with my wife who is a huge fan. I thought they were ok and just went to appease her. I was completely converted after the show. It was great and I haven't enjoyed a concert that much ain quite a while. If you enjoy the music even just a litte, see the show and you won't be dissapointed.

Images shared by: Gr8fuLee1

Need I say more...

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The Killers @ MSG: very dissappointing
By Luc from New York, NY on 6/22/2009
Pros:
Good Set List
Cons:
Boring stage presence, Crowd Was Not Into It, Poor Sound Quality
Best For:
Everyone

Hey guys- Okay, let me face the facts right now: this isn't going to be a popular review, in fact, I can see you hitting the "NO" link now. At least hear me out. I am a HUGE fan of The Killers' music, I know their entire catalogue (b-sides and rare tracks as well) by heart, in fact, i couldn't wait for January 25th, when i was to see them live at MSG. The result: a huge disappointment. In addition to being a huge fan, I'm also a season concert-goer, having seen shows of most every genre, size, and budget, from Cake (an indie band from Cali), to Oasis, Coldplay, and U2. I have seen truly epic shows, with unbelievable lighting, sound, and stage presence, and I have seen not-so-epic shows. Unfortunately (and this pains me to say), The Killers at MSG will have to go towards the latter end of the spectrum. M83 (opener) was great, I only knew two or three songs, but loved it all the same, in fact, i normally skip the support act, but I showed up early to see them. After a relatively quick stage reset, the countdown-clock came up on the killers mesh-style screen, and off the band launched (er, well, crawled), into Spaceman. While the concert did pick up eventually, the atmosphere in Madison Square Garden during the first 4 to 5 songs was truly depressing. The crowd sat down, a couple in front of me actually were just having a normal conversation, paying no attention to the music. At every other concert I've been to at MSG, (Billy Joel, U2, Coldplay, and Oasis to name a few), the crowd was on their feet for the duration of the concert, but this was not the case with the Killers. Brandon's vocals were spotty; i heard he was getting over an illness and it showed; he was clearly having trouble hitting some higher notes. The whole band, not only Brandon, looked like they were bored with their music and didn't want to be their. When they left and came back for an encore, the expressions on their faces were truly those of a bored shopgirl at 5:59 PM, eagerly awaiting her departure. Furthermore, the mixing was among the worst I've heard at any concert, and all the guitarwork sounded fairly mucky, unfortunately. Reading the great many positive reviews on this site leads me to believe simply that many of the people who rated this concert highly simply havent been to many concerts, and can't really tell from experience when lighting or presence is great, as they have nothing to compare it to. I feel qualified to say that I have seen some truly stunning visuals in an arena, such as Depeche Mode and Coldplay. What I saw at MSG was a poor attempt at a spectacle, in which all of the money went into the 15 seconds of pyro during "When You Were Young". Other than that, and a short blast of confetti at the end of "All These Things That I've Done", the visuals were lackluster at best. Bottom Line: The Killers are a fabulous band in terms of music, but they still need to get their act together on live performances. Note: All of that being said, I have decided to give one of my favorite groups a second chance live, and will be attending their 9/1 show at Jones Beach; I'll definitely post a review of that show.

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BEST BAND EVERRR
By D from Merced, CA on 1/26/2009
Pros:
Crowd Was In To It
Best For:
Adults

this is a hella siick butt band that's all i can say... see them for yourself, they are incredibly amazing =) "are we human or are we dancer".....

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The Killers Biography

Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of '80s-styled synth pop and fashionista charm, the band's street-smart debut, Hot Fuss, became one of 2004's biggest releases, spawning four singles and catapulting the group -- particularly their dandyish, 22-year-old frontman, Brandon Flowers -- into the international spotlight. Hot Fuss reveled in the garish glitz of the band's native Las Vegas, spinning tales of androgynous girlfriends and illicit affairs to a public whose taste for revivalist dance-rock would prove to be virtually insatiable. Franz Ferdinand, Interpol, and the Bravery all benefited from such retro-minded interest, but the Killers unapologetically trumped them all -- even when their sophomore effort, Sam's Town, deemphasized the group's new wave sensibilities in favor of something more akin to the heartland rock of Bruce Springsteen and Rattle and Hum-era U2.

Brandon Flowers (vocals/keyboards), David Keuning (guitar), Mark Stoermer (bass), and Ronnie Vannucci (drums) first came together in 2002, two years before Hot Fuss introduced their band to the public. Flowers had been sacked by his former synth pop band, Blush Response, after refusing to move to Los Angeles with the rest of his bandmates. Instead, he remained in Las Vegas, where he soon met local guitarist and Oasis fanatic Keuning. The two began collaborating on material within weeks, they'd composed their soon-to-be radio hit Mr. Brightside. Stoermer, a former medical courier, and Vannucci, a classical percussion major at UNLV, eventually joined the fray, and the band began playing small clubs in their hometown. A U.K. representative for Warner Bros. caught wind of the Killers' brewing hype, and although he neglected to bring them aboard the Warner roster, he did pass along their demo to the London-based indie imprint Lizard King. The British label quickly signed the Killers, who temporarily moved to the U.K. and issued a limited-edition single for Mr. Brightside. The Killers' buzz had effectively traveled back across the Atlantic by fall 2003, and the band was offered a prime spot at the annual ~CMJ Music Marathon in New York City. A worldwide deal with Island followed shortly thereafter, positioning the Killers to join the ranks of Interpol, the Rapture, and the Strokes.

Shared U.K. dates with British Sea Power and stellastarr in 2004 gave the Killers an opportunity to showcase material from their debut album, Hot Fuss, which was released that June. Somebody Told Me, Mr. Brightside, Smile Like You Mean It, and All These Things That I've Done all became worldwide chart hits, and Hot Fuss peaked at number seven on the ~Billboard Top 200. Buoyed by such success, Flowers became a sought-after media presence, often lashing out at such groups as the Bravery for riding his band's coattails into the mainstream. The frontman's confidence was not unwarranted by 2006, Hot Fuss had earned five Grammy nominations and sold over five million copies. Rather than take a break to recover from their heavy tour regime, the Killers immediately set to work on a second album. A newly built facility at the Palms Hotel and Casino in Las Vegas became the band's studio, and legendary producers Flood and Alan Moulder (who had previously worked together with U2 and the Smashing Pumpkins) were chosen to helm the controls. Instead of mining the glamour and glitz of their hometown (as they did to successful extent on Hot Fuss), the group instead focused on nostalgia and the demise of old-fashioned American values, citing veteran songsmith Bruce Springsteen as a chief influence.

The popularity generated by leadoff single When You Were Young led up to the highly anticipated release of Sam's Town in early October 2006. While the album did not match the popularity of the band's debut, it nevertheless sold 700,000 copies worldwide during its first week, eventually spawning three U.S. singles and gaining the Killers two additional Grammy nods. Sawdust, a collection of B-sides, rarities, and remixes, followed one year later, serving as a stopgap recording between the band's proper studio albums. The Killers then returned in 2008 with Day & Age, which eschewed the Americana tangents of Sam's Town in favor of pop pastiches and sleek, oddball dance-rock. The band's return to the dancefloor was emboldened by Stuart Price, a veteran producer who had previously worked with Madonna and Gwen Stefani, and the Top 40 single Human helped the Killers continue their commercial streak. A lengthy tour carried the band into 2009, which also saw the release of the concert album Live from the Royal Albert Hall. ~ Andrew Leahey, Rovi