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Steely Dan Tickets

Steely Dan has thrilled millions of fans worldwide with their jazz and rock sound and hit songs like “Bad Sneakers,” “Black Friday,” “Hey Nineteen,” and “Time Out of Mind.” Don't miss your chance to see Steely Dan perform LIVE! Buy your Steely Dan tickets now!
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[1 of 1 customers found this review helpful]

GAUCHO Show @ Beacon, August 12, 2009
By JerseyRip from Linden, NJ on 8/14/2009

Terific show, one of the best I've seen SD do. After the (7) GAUCHO songs, which were crisp and very well done, the balance of the show was extremely enjoyable. Special Guest Larry Carlton (lead guitar) was special. The horn section seemed to be almost "over-used", like (wer'e payin em to be here, let's use the heck outta them)! But, this show was worth the wait, as the original Gaucho show was the one cancelled from July 29th. Set list: Babylon Sisters, Hey Nineteen, Glamour Profession, Gaucho, Time Out of Mind, My Rival, Third World Man - Godwackers, I Got the Blues, Home at Last, Show Biz Kids, Deacon Blues, Peg, Josie, My Old School, Kid Charlemagne, and the only encore song Reelin' in the Years.

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[1 of 1 customers found this review helpful]

LOSE THE OPENING ACT
By FUNKY D from TUCSON AZ on 9/9/2008

THE SHOW I SAW WAS AT AN AMPHITHEATER AT AN INDIAN CASINO IN TUCSON,AZ. THE SOUND WAS GREAT, THE SET LIST WAS GREAT. MY ONLY NEGATIVES ARE MINOR. ONE, I DON'T THINK THEY NEED AN OPENING ACT, AND IF SO; USE SOME THING SHORTER AND DIFFERENT. THE JAZZ TRIO WAS ACCOMPLISHED, BUT UNECESSARY. TWO, WALTER BECKER (BLESS HIS HEART) SHOULDN'T BE THE ONE SPEAKING BETWEEN SONGS. MAYBE FAGEN IS SHY TO SPEAK, BUT I THINK THE FANS WOULD RATHER HEAR HIM ANYWAY.

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[0 of 1 customers found this review helpful]

Great Concert
By ptreadwe from Nacogdoches, Texas on 8/23/2008
Pros:
Great music, Great performance, Great Seats, GREAT VENUE

Sorry could not stand their opening band, the jazz music is boring and way way way to long for each song. I was just about ready to leave and ride around in our limo for the night and let my husband see them. He also could not stand the jazz at all, but loves Steely Dan

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steely dan in houston
By disc golfer from Houston on 8/22/2008

Concert was great and in a great location... any seat in there would have been good... Hard Rock right next door... could have used two more songs... but I guess you never hear ALL your favorites at any concert... overall, my fiancé and I really enjoyed the whole event..

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Steely Dan Biography

Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the vehicle for the songwriting of Walter Becker and Donald Fagen, Steely Dan defied all rock & roll conventions. Becker and Fagen never truly enjoyed rock -- with their ironic humor and cryptic lyrics, their eclectic body of work shows some debt to Bob Dylan -- preferring jazz, traditional pop, blues, and R&B. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. With producer Gary Katz, Becker and Fagen gradually changed Steely Dan from a performing band to a studio project, hiring professional musicians to record their compositions. Though the band didn't perform live after 1974, Steely Dan's popularity continued to grow throughout the decade, as their albums became critical favorites and their singles became staples of AOR and pop radio stations. Even after the group disbanded in the early '80s, their records retained a cult following, as proven by the massive success of their unlikely return to the stage in the early '90s.

Walter Becker (bass) and Donald Fagen (vocals, keyboards) were the core members of Steely Dan throughout its variety of incarnations. The two met at Bard College in New York in 1967 and began playing in bands together shortly afterward. The duo played in a number of groups -- including the Bad Rock Group, which featured future comedic actor Chevy Chase on drums -- which ranged from jazz to progressive rock. Eventually, Becker and Fagen began composing songs together, hoping to become professional songwriters in the tradition of the Brill Building. In 1970, the pair joined Jay & the Americans' backing band, performing under pseudonyms Becker chose Gustav Mahler, while Fagen used Tristan Fabriani. They stayed with Jay & the Americans until halfway through 1971, when they recorded the soundtrack for the low-budget film You Gotta Walk It Like You Talk It, which was produced by the Americans' Kenny Vance. Following the recording of the soundtrack, Becker and Fagen attempted to start a band with Denny Dias, but the venture was unsuccessful. Barbra Streisand recorded the Fagen/Becker composition I Mean to Shine on her album Barbra Joan Streisand, released in August 1971, and the duo met producer Gary Katz, who hired them as staff songwriters for ABC/Dunhill in Los Angeles, where he had just become a staff producer. Katz suggested that Becker and Fagen form a band as a way to record their songs, and Steely Dan -- who took their name from a dildo in William Burroughs' -Naked Lunch -- was formed shortly afterward.

Recruiting guitarists Denny Dias and Skunk Baxter, drummer Jim Hodder, and keyboardist/vocalist David Palmer, Becker and Fagen officially formed Steely Dan in 1972, releasing their debut, Can't Buy a Thrill, shortly afterward. Palmer and Fagen shared lead vocals on the album, but the record's two hit singles -- the Top Ten Do It Again and Reeling in the Years -- were sung by Fagen. Can't Buy a Thrill was a critical and commercial success, but its supporting tour was a disaster, hampered by an under-rehearsed band and unappreciative audiences. Palmer left the band following the tour. Countdown to Ecstasy, released in 1973, was a critical hit, but it failed to generate a hit single, even though the band supported it with a tour.

Steely Dan replaced Hodder with Jeff Porcaro and added keyboardist/backup vocalist Michael McDonald prior to recording their third album, Pretzel Logic. Released in the spring of 1974, Pretzel Logic returned Steely Dan to the Top Ten on the strength of the single Rikki Don't Lose That Number. After completing the supporting tour for Pretzel Logic, Becker and Fagen decided to retire from live performances and make Steely Dan a studio-based band. For their next album, 1975's Katy Lied, the duo hired a variety of studio musicians -- including Dias, Porcaro, guitarist Elliot Randall, saxophonists Phil Woods, bassist Wilton Felder, percussionist Victor Feldman, keyboardist Michael Omartian, and guitarist Larry Carlton -- as supporting musicians. Katy Lied was another hit, as was 1976's The Royal Scam, which continued in the vein of its predecessor. On 1977's Aja, Steely Dan's sound became more polished and jazzy, as they hired jazz fusion artists like Wayne Shorter, Lee Ritenour, and the Crusaders as support. Aja became their biggest hit, reaching the Top Five within three weeks of release and becoming one of the first albums to be certified platinum. Aja also gained the respect of many jazz musicians, as evidenced by Woody Herman recording an album of Becker/Fagen songs in 1978.

Following the release of Aja, ABC was bought out by MCA Records, resulting in a contractual dispute with the label that delayed until 1980 the release of their follow-up album. During the interim, the group had a hit with the theme song for the film FM in 1978. Steely Dan finally released Gaucho, the follow-up to Aja, in late 1980, and it became another Top Ten hit for the group. During the summer of 1981, Becker and Fagen announced that they were parting ways. The following year, Fagen released his solo debut, The Nightfly, which became a critical and commercial hit.

Fagen didn't record another album until 1993, when he reunited with Becker, who produced Kamakiriad. The album was promoted by the first Steely Dan tour in nearly 20 years, and while the record failed to sell, the concerts were very popular. In 1994, Becker released his solo debut, 11 Tracks of Whack, which was produced by Fagen. The following year, Steely Dan mounted another reunion tour, and in early 2000 the duo issued Two Against Nature, their first new studio album in two decades. It won the Grammy Award for Album of the Year. Steely Dan followed it in 2003 with Everything Must Go. Fagans solo album Morph the Cat was released in 2006, and Becker released Circus Money in 2008 as Steely Dan embarked on another tour. ~ Stephen Thomas Erlewine, Rovi