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[3 of 7 customers found this review helpful]

worst show ever
By kasper from indianapolis on 4/3/2010
Cons:
Poor Set List, Too Short
Best For:
Adults

took wife to patti labelle concert for first time, I had bragged on her for years on givin a great concert. We had seen over 30 artist on stage I have even sung on stage wit patti la belle but this concert in nap was a waist of my time an money I drove 119 miles to see her an she was on stage for almost 30 min and could not see her from the upper level, very dissapointed don't wnt to by anymore ticket until I'm sure patti knows her place

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[2 of 3 customers found this review helpful]

SORRY PATTI But Not This Time.
By Re'ge the True Fan from Los Agneles on 9/2/2009

PATTI, PATTI.. What Happened.. We understand that it was a little CHILLY out there But, You should have had HEATERS on the stage like most Artists do for outdoor concerts Ummm..(ie: ARETHA was just there and had heaters). Who ever your help is, should be fired. If I remember correctly the last time you were here at the Bowl There was a mix up in the kind of concert you were doing.. FIRE THE HELP. WE pay toooooo much money for all those EXCUSES And Patti It's not the first time.No More Patti tickets for me..SORRY PATTI...

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[2 of 3 customers found this review helpful]

Strange concert!
By Bowl Addict from Los Angeles, CA on 8/21/2009
Pros:
Great Opening Acts

Concert at the Hollywood Bowl on 8/18/09. Patti came out and sang a good one "New Attitude" with gusto - but then it got strange. Her opening comments to the crowd were about how freezing cold she was. It was about 65 degrees - not so cold! One of her people went and got her a shawl. She did a few more songs, but her back up singers (and music director/piano man) were turned up louder than her voice. Hard to hear Patti. Mabye not singing? Next, she complained her feet hurt. Changed her shoes mid-stage in front of the audience. Must not have been the right shoes - mid song, she kicked those shoes off. Another person brought out a pair of flats. These remained on. Did a number featuring two of her back up singers, and Patti wandered aimlessly at the rear of the stage. Brought up another back-up singer (tall, big lady with an amazing voice) and Patti became a back up singer for this one. She was still cold - so they brought out a pair of gloves. One more song where you could clearly hear back up singers and piano/band - but Patti? Not so much. Still cold - someone brought out something long and flowing made of black fabric. Patti exited stage right and came back a few moments later, now wearing piatzzo (wide legged) pants under her dress. Last song - was amazing - the only time she really took her voice out and let us hear the strength and range. Then the concer was over. Entertaining but very disappointing if you were a BIG Patti Labelle fan and wanted to hear her sing.

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???
By kitty from ny on 7/2/2008
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Lighting, Great Sound, Perfect Set List

show was grate and our seets were very good thak you so much but it was difficult to get tickets because i can not speak english well ( i am a japanes speaker)

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Patti LaBelle Biography

Soul diva Patti LaBelle enjoyed one of the longest-lived careers in contemporary music, notching hits in a variety of sounds ranging from girl group pop to space-age funk to lush ballads. Born Patricia Holt in Philadelphia on May 24, 1944, she grew up singing in a local Baptist choir, and in 1960 teamed with friend Cindy Birdsong to form a group called the Ordettes. A year later, following the additions of vocalists Nona Hendryx and Sarah Dash, the group was rechristened the Blue Belles with producer Bobby Martin at helm, they scored a Top 20 pop and R&B hit in 1962 with the single I Sold My Heart to the Junkman, subsequently hitting the charts in 1964 with renditions of Danny Boy and You'll Never Walk Alone.

In 1965, the quartet -- now known as Patti LaBelle & the Bluebelles -- signed to Atlantic, where they earned a minor hit with their version of the standard Somewhere Over the Rainbow. The group's Atlantic tenure was largely disappointing, however, and in 1967 Birdsong replaced Florence Ballard in the Supremes. The remaining trio toured the so-called chitlin circuit for the remainder of the decade before signing on with British manager Vicki Wickham in 1970 Wickham renamed the group simply LaBelle and pushed their music in a funkier, rock-oriented direction, and in the wake of their self-titled 1971 Warner Bros. debut they even toured with the Who. (The trio also collaborated with Laura Nyro on her superb R&B-influenced album Gonna Take a Miracle.)

By 1973, LaBelle had gone glam, taking the stage in wildly theatrical, futuristic costumes a year later they became the first African-American act ever to appear at New York's ~Metropolitan Opera House, a landmark performance that also introduced their lone chart-topping single, the Allen Toussaint-produced classic Lady Marmalade. However, after two more albums -- 1975's Phoenix and the following year's Chameleon -- LaBelle disbanded, and its namesake mounted a solo career, issuing her eponymous debut in 1977. In addition to subsequent releases including 1979's It's Alright with Me and 1980's Released, LaBelle also turned to acting, co-starring in a 1982 Broadway revival of Your Arms to Short to Box with God.

Upon signing with the Philadephia International label, LaBelle scored a number one R&B hit with If You Only Knew, from 1983's I'm in Love Again. Two years later, she reached the pop Top 20 with her Beverly Hills Cop soundtrack contribution New Attitude. Her subsequent MCA debut, 1986's The Winner in You, went platinum on the strength of the Burt Bacharach-penned On My Own, a duet with Michael McDonald, while the follow-up, 1989's Be Yourself, featured a pair of cuts written by Prince. Released in 1991, Burnin' earned a Grammy for Best Female R&B Performance. LaBelle recorded less and less frequently in the years to follow, in 1995 publishing her autobiography, -Don't Block the Blessings: Revelations of a Lifetime. She returned five years later to release When a Woman Loves and then signed to Def Soul for 2004's Timeless Journey and 2005's all-covers Classic Moments. In 2007 the holiday album Miss Patti's Christmas appeared, while 2008 saw the release of Live in Washington D.C., a live album recorded in 1982. ~ Jason Ankeny, Rovi