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Goldfrapp Tickets

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Goldfrapp in LA
By Ray from Massachusetts on 1/7/2009
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Lighting, Great Sound
Best For:
Everyone

Goldfrapp was unreal, as usual. I flew from Mass to LA for this show. Worth every penny[...]

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One of the most beautiful Theater in LA
By Imadoctore from Los Angeles on 9/23/2008
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Sound
Cons:
lighting can be improved, Too Short
Best For:
Everyone

It was quite a wonderful experience. I went to the theater with high anticipation and left the building with high admiration. First of all, I was so impressed with the theater, it is such a beautiful building with great architectural details, felt like I was in a Shakespearean movie. And of course, I loved the performance. Goldfrapp is one of my favorite bands. The great performance of Alison's angelic voice and the band's multi-talented genius, was supported by the good quality sound system at Orpheum Theaters. It is one essential element that would allow any bands or vocalists to deliver their best performance. One thing that can be improved is the lighting. I wish it would've been more involve with the music.

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We Are Glitter
By ~driz from L.A., CA. on 9/23/2008
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Sound, Perfect Set List
Cons:
Seats too close together, Too Hot
Best For:
Everyone

Wonderful elecktkric show~! :]

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Good show, Great voice!
By Chris from Orange County, CA on 9/23/2008
Pros:
Crowd Was In To It, Great Sound
Cons:
Too Short
Best For:
Goldfrapp listener

Allison Goldfrapp could have played the crowd better, but she has an amazing voice. New songs are a bit slow, thought she would have played a few more hit songs to again keep the crowd into the show/energy. Seats were great for a last minute purchase. Day of show. Great service! thanks

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Goldfrapp Biography

Bath, England's singer/composer/keyboardist Allison Goldfrapp began exploring music as part of her studies as a fine art painting major at Middlesex University, mixing sound, visuals, and performances in her installation pieces. While she was still in college, she appeared on her friend Tricky's 1995 debut, Maxinquaye, which led to appearances on albums from other cutting-edge electronic artists, including Orbital's Snivilisation and Add N to X's Avant Hard. By the late '90s, Goldfrapp began honing her own compositions one of her friends passed some of her demos on to composer Will Gregory. Finding much in common in their musical tastes and approaches, the duo took Allison's surname as the name for their collaboration. After signing to Mute in 1999, Goldfrapp delivered their debut album, Felt Mountain, in fall 2000. Felt Mountain went on to nearly universal acclaim and spawned several singles, including the Utopia Genetically Enriched EP, which arrived in early 2001. After spending most of that year touring, Goldfrapp spent most of 2002 recording and returned with Black Cherry in spring 2003. The Ooh La La single and the full-length Supernature, both of which continued the disco and glam rock influences of the duo's previous album, were released in 2005, while 2008's The Seventh Tree moved in a calmer, more acoustic-based, but just as sonically lush direction. In 2009, the group released its score to Sam Taylor-Wood's film about John Lennon as a youth, Nowhere Boy, which they recorded with a full orchestra at Abbey Road Studios. The smoothly poppy Head First, led by the Italo-disco-inspired Rocket, arrived in March 2010. Two years later, the Singles collection, which featured the previously unreleased songs Yellow Halo and Melancholy Sky, summed up the group's career to date. ~ Heather Phares, Rovi