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Gladys Knight Tickets

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[3 of 3 customers found this review helpful]

Gladys Knight at Emerald Queen
By "Pepper" from Seattle, WA on 2/15/2009
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Lighting, Great Opening Acts, Great Sound
Best For:
Adults

My wife, my brother, his friend and I attended the Febuary 14th show at the Emerald Qween Casino in Tacoma, WA.. This the second time we went to see her. The first time at the Skagit casino north of Mount Veron, WA.. I am close to 70 years old and have gone to many shows accross the nation in my life, but this was truley the best and most entertaining show I have ever been to. Everyone we talked was completely thurilled with not only her preformance, but Buba's and everyone else on stage.

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[1 of 1 customers found this review helpful]

"The time of my life"
By Shayleen from Brooklyn, New York on 8/11/2008
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Lighting, Great Sound, Perfect Set List
Best For:
Everyone

I had a wonderful time. The seats was perfect and can not wait for the next shows.

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[1 of 1 customers found this review helpful]

FANTASTIC!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
By NONE from WASHINGTON, D.C. on 8/9/2008
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Lighting, Great Sound, Perfect Set List
Cons:
Too Short
Best For:
Everyone

OUTSTANDING!!!!!!!!!!!!

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[2 of 2 customers found this review helpful]

Great Show
By Striker841 from Waldorf, Maryland on 8/5/2008
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Lighting, Great Sound, Perfect Set List
Best For:
Everyone

The seats were perfect.

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Gladys Knight Biography

One of the great soul singers, Gladys Knight was a performer from her childhood years, forming the Pips with her brother Merald and a couple cousins. They made the Top Ten in 1961 with the heavily doo wop-influenced Every Beat of My Heart, and recorded some fine, nowadays overlooked pop-soul sides for the Fury and Maxx labels in the early and mid-'60s, sometimes under the direction of songwriter Van McCoy. A couple singles from this period, Letter Full of Tears and Giving Up, made the Top 40, but Knight didn't hit her commercial stride until she moved to Motown in 1966. Steeped in the gospel tradition, like so many soul singers, Knight & the Pips developed into one of Motown's most dependable acts, although they never quite scaled the commercial or artistic heights of fellow stars on the label like the Supremes, Marvin Gaye, and the Temptations. With Norman Whitfield providing the production and much of the songwriting, the Pips fit into the mainstream of Motown's machine well, scoring big hits with some rabble-rousers (like Friendship Train and the original version of I Heard It Through the Grapevine), mainstream midtempo soul (It Should Have Been Me and The End of Our Road), and smooth ballads like If I Were Your Woman.

In 1973, Knight had her biggest Motown hit with Neither One of Us, which made number two shortly afterward, she and the Pips left Motown for Buddah. The group members were briefly superstars in 1973-1974, reeling off the smashes Midnight Train to Georgia (their only number one), I've Got to Use My Imagination, and Best Thing That Ever Happened to Me. This ranked as some of their best material, but Knight soon moved toward an easy listening, adult contemporary direction, one that she's maintained to this day. Now performing separately from the Pips (who have retired), her days as a high-charting star ended after the mid-'70s, although she remains fairly popular, and maintained an active recording career into the new millennium, releasing At Last, an album of urban R&B, on MCA in 2000 One Voice, a gospel set, on Many Roads Records in 2005 and Before Me, an album of jazz standards, on Verve in 2006. ~ Richie Unterberger, Rovi