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[1 of 2 customers found this review helpful]

Blue Oyster Cult ROCKS!
By Sixela Rife from Reno, NV on 2/15/2009
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Lighting, Great Sound, Santa Cruz Beach Shows
Cons:
Casinos, Too Short
Best For:
Everyone, My Friends and Family GO, Reunions

I have loved Blue Oyster Cult since my teens for so many reasons! On the light, I have fond memories of my girlfriend and I putting on our makeup before High School to "Spectres", "Cultosaurus Erectus" and Mirrors. In addition, My sister (2 yrs younger than I) is a BOC fan too and we have had some great times dancing our fannies off at their shows! On another note, Blue Oyster Cults music to me is many things; poetic, historical, cryptic, wicked, transcendent, hard rockin, slow jammin, mystical and I could go on and on! With 5 BOC shows in 2008 under my belt I am still amazed that every show was different. Ok, lets take into consideration that at Casinos, they have a shorter time to play as the Casinos understandably want people in the Casino. The good thing about Casinos hiring in great bands like BOC is that they can afford it. It gives us fans a chance to see our favorites in smaller venues, maybe even get a hotel room in say Tahoe or Reno, meet up with family and longtime friends and make a weekend out of it. My sister, some friends and I saw 2 concerts in Santa Cruz on the Beach. I could tell a speaker on the left side where I was sounded weak, but it didn't bother me! I had traveled 500 miles to see the show, it was my birthday and it was an AWESOME show! I have taken pleasure that everytime I have seen them recently they played another song that they haven't done in years. In Lake Tahoe, CA a few months back the keyboardist joined the band and "Joan Crawford" was off the hook!!!!!!!! Earlier in the year, "The Last Days of May" stole the show. I'm still waiting for "Lips in the Hills", "Astronomy", "The Veteran of Psychic Wars", "Golden Age of Leather" and "The Pact". I highly recommend seeing at least a few BOC shows in the coming years. They just keep getting better and their songs become more poignant everyday! Rock On Sixela Rife

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BLue Oyster Cult
By BOC Man from Pine Brook, NJ on 9/28/2008
Cons:
Crowd Was Not Into It, Poor Sound Quality, Too Short
Best For:
Completely Unfamiliar

I have been a BOC fan for 30 years. I traveled 2 hours by car to see only them. While the opening acts (Vanilla Fudge and Foghat) were good, I paid good $ to seee BOC. Unfortunately, I felt cheated as we could barely hear their vocals! (i.e. weird---there was a young stagehand singing into a mic behind the amps to increase the sound of vocals?) and BOC's MAIN act ended upbruptly after only 1 hour (which wss the same time given to the opening acts?) with no encores because of some curfew ordinance? While I will always be a fan of BOC's music I will have to reconsider seeing them live again in a concert hall, especially one like the Capitol One Theater. Disappointing...

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Blue Oyster Cult Biography

Blue yster Cult was the thinking man's heavy metal group. Put together on a college campus by a couple of rock critics, it maintained a close relationship with a series of literary figures (often in the fields of science fiction and horror), including Eric Von Lustbader, Patti Smith, Michael Moorcock, and Stephen King, while turning out some of the more listenable metal music of the early and mid-'70s. The band that became Blue yster Cult was organized in 1967 at Stony Brook College on Long Island by students (and later rock critics) Sandy Pearlman and Richard Meltzer as Soft White Underbelly and consisted of Andy Winters (bass), Donald Buck Dharma Roeser (guitar), John Wiesenthal -- quickly replaced by Allen Lanier -- (keyboards), and Albert Bouchard (drums), with Pearlman managing and Pearlman and Meltzer writing songs. Initially without a lead singer, they added Les Bronstein on vocals. This quintet signed to Elektra Records and recorded an album that was never released. They then dropped Bronstein and replaced him with their road manager, Eric Bloom, as the band's name was changed to Oaxaca. A second Elektra album also went unreleased, though a single was issued under the name the Stalk-Forrest Group.

Cut loose by Elektra, they changed their name again, to Blue yster Cult, and signed to Columbia Records in late 1971, by which time Winters had been replaced by Albert Bouchard's brother Joe. Blue yster Cult, their debut album, was released in January 1972 and made the lower reaches of the charts. Columbia sent a promotional EP, Live Bootleg, to radio stations in October, and followed with BC's second album, Tyranny & Mutation, in February 1973. Their third album, Secret Treaties, was released in April 1974 and became their first to break into the Top 100 bestsellers. (It eventually went gold.) BC released a live double album, On Your Feet or on Your Knees, in February 1975. In May 1976, came their fourth studio album, Agents of Fortune, including the Top 40 (Top Ten on some charts) hit single (Don't Fear) The Reaper (featured in the classic John Carpenter horror film Halloween), which became their first gold and then platinum album. (On Your Feet went gold shortly after.) BC's sixth overall album, Spectres, was released in October 1977 and went gold in January 1978. In September 1978 came a second live album, Some Enchanted Evening, which eventually would become BC's second million-seller, followed by the studio album Mirrors in June 1979. A year later, BC released its ninth album, Cultosaurus Erectus, with the gold Fire of Unknown Origin, containing the Top 40 hit Burnin' for You, following in June 1981.

In the summer of 1981, drummer Albert Bouchard was replaced by the band's tour manager and lighting designer, Rick Downey. BC's third live album, Extraterrestrial Live, was released in April 1982, followed by the studio album The Revolution by Night in October 1983. Downey left in 1984 and was replaced in 1985 by Jimmy Wilcox. The same year, Lanier left and was replaced by Tommy Zvonchek. BC released its 13th album, Club Ninja, in January 1986. Bassist Joe Bouchard left in 1986 and was replaced by Jon Rogers. In 1987, Lanier returned to the group, and Ron Riddle replaced Wilcox on drums. BC's 14th album, the concept recording Imaginos, became their final new album on Columbia Records in July 1988. BC scored the movie Bad Channels in 1992, by which time Chuck Burgi had replaced Ron Riddle on drums. In 1994, Blue yster Cult released Cult Classic, an album of re-recorded favorites, in connection with the use of their music in the TV miniseries of horror novelist Stephen King's The Stand. Numerous lineup changes ensued throughout the '90s (as the band kept on touring the world), and in 1995, were the subject of a double disc anthology, Workshop of the Telescopes. By the late '90s, BC had signed with the CMC label, resulting in their first album of all-new studio material in ten years, 1998's Heaven Forbid, and three years later The Curse of the Hidden Mirror. The group's music reached a whole new generation of hard rock fans when Metallica covered the BC classic Astronomy for their best-selling Garage Inc. album in 1998, as a few other best-of collections surfaced around the same time -- Super Hits and Don't Fear the Reaper: The Best Of. In 2001, Columbia/Legacy reissued BC's first four releases with a newly remastered sound and added bonus tracks. ~ William Ruhlmann & Greg Prato, Rovi