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Anthony Hamilton Tickets

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Anything to see you again
By Tee-Jay / Red Bone from Philadelphia , Pa on 6/25/2009
Pros:
Crowd Was In To It, Days later still excited, Engaging Stage Presence, Great Encores, Great Lighting, Great Sound, He has an amazing voice, Lost my voice
Cons:
It had to end, Not ready to see him go
Best For:
Adults, Everyone

Anthony Hamilton stole the show from Philly's own Mu$#c. Chrisette Michelle opened and yes she was also amazing. Them two together words can't explain. If you have a chance see them both. Forever yours Anthony. Red from Philly.

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[1 of 2 customers found this review helpful]

What a voice! Such power
By Bklyn from CA on 6/12/2009
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Encores, Great Sound
Cons:
Too bad it had to end
Best For:
Adults

I am a new fan of Hamilton... what a show.. I can still hear him belt out songs with such passion.... what an amazing show!

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Taking it to the floor w/ Anthony hamilt
By kat from Capital Heights, MD on 4/26/2007
Pros:
Crowd Was In To It, Engaging Stage Presence, Great Sound
Cons:
Crowd Was Not Into It
Best For:
Casual Fans, Completely Unfamiliar, Die-Hards Only

i was amazed by the energy that lyfe and anthony possed on stage they brought a whole new feeling and meaning to their songs.

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[1 of 1 customers found this review helpful]

Another Great Performance
By techz from milwaukee, wi on 4/23/2007
Pros:
Crowd Was In To It, Engaging Stage Presence
Best For:
Casual Fans, Completely Unfamiliar, Die-Hards Only, Everyone

this concert was really good i enjoyed lyfe jennings & anthony hamilton the only con was the 1st row seats are so low down from the stage that you don't get a very good view of the artist at DAR in dc

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Anthony Hamilton Biography

A soul singer who drew comparisons to such classic vocalists as Bill Withers and Bobby Womack, Anthony Hamilton struggled for the better part of the 1990s as two of his albums went unreleased. While he didn't always get the label support his talent deserved, Hamilton established himself during the 2000s as one of the rawest, most singular, and relatable voices in R&B. He did so while racking up several Top Ten R&B albums and a handful of Grammy nominations.

The Charlotte, North Carolina native got his start at age ten in his church's choir. As a teenager, he transitioned into performing solo at various nightclubs and talent shows. In 1993, while in his early twenties, he moved to New York City, where he signed with Andr Harrell's Uptown Records, a major source of the new jack swing sound and home to artists such as Jodeci and Mary J. Blige. By 1995, Uptown was set to push Hamilton's debut album, but the company went out of business, leaving the album unreleased.

Hamilton moved to MCA and was finally able to release that debut album, XTC, in 1996. Only one song, Nobody Else, was released as a single the song peaked at number 63 on Billboard's R&B chart, and the disc quickly disappeared from view. Another transitional period followed. Hamilton joined Soulife, an upstart venture run by some of his old Charlotte friends. While there, he laid down tracks for another solo album and wrote songs for Donell Jones and Sunshine Anderson. In 2000, he accepted an invitation to sing backup vocals on D'Angelo's Voodoo tour and traveled the world. Upon returning home, Hamilton discovered that Soulife had also gone belly up.

With a second album unreleased, Hamilton spent the next two years selling songs and singing backup for artists including 2Pac and Eve. Then, in 2002 a lead spot singing on the Nappy Roots track Po' Folks garnered Hamilton some much-needed attention, as the song was nominated for the Best Rap/Sung Collaboration at the 2003 Grammy Awards. A subsequent gig performing at a Grammy luncheon led to a meeting with producer Jermaine Dupri, who signed the singer to his So So Def label. Technically his fourth album, Comin' from Where I'm From bowed for So So Def in 2003 and featured Charlene, a classic-sounding Southern soul ballad that reached number three on the R&B chart. In 2005, some of his Soulife recordings were dusted off and polished up for release as Soulife, and the new album Ain't Nobody Worryin' followed later in the year. It was Hamilton's third consecutive Top Ten R&B album. Southern Comfort, released in 2007, was another set of previously unreleased recordings.

The Point of It All, a proper studio release, was issued near the close of 2008. It was overshadowed by Hamilton's contribution to Al Green's You've Got the Love I Need, which won a 2009 Grammy for Best Traditional R&B Vocal Performance -- that is, until the following Grammy ceremony, when the set received a nomination for Best Traditional R&B Album, with two of its songs also nominated in separate categories. Back to Love followed in 2011. ~ Matt Collar, Rovi